Tristano was also a noted jazz teacher and it is claimed that his influence affected Miles Davis (on Birth Of The Cool) as well as Dave Brubeck and Gerry Mulligan.Ĭlick to load video 49: Kenny Kirkland (1954-1998)įrom Brooklyn, New York, Kirkland had a fruitful association with the Marsalis brothers, Wynton and Branford, in the 80s and 90s, appearing as a sideman on many of their albums. He also experimented with multi-tracking recording in the early 50s – which most jazz musicians considered anathema – by overdubbing improvised piano parts. What is certain is that Tristano was an uncompromising innovator whose unorthodox conception of melody and harmony presaged the birth of free jazz.

Opinions differ on the significance of this blind, Chicago-born pianist who played with Charlie Parker in the late 40s and went on to establish himself as a musician with a unique sound and style. In our estimation, the 50 best jazz pianists of all time are… 50: Lennie Tristano (1919-1978) Indeed, whittling it down was not an easy task, but we’ve persevered and come up with a list of names that we believe represent the most important ivory-ticklers of the genre. The jazz world has produced an abundance of super-talented piano masters in the past 100 years – many more than can be accommodated in this list of the 50 best jazz pianists of all time. Evans’ influence – like Bud Powell’s before him – was pervasive, and many future jazz piano stars (from Herbie Hancock and Chick Corea to Keith Jarrett and, more recently, Brad Mehldau) are indebted to him.

When the 50s arrived, there were others, such as Bill Evans, who fused the bop aesthetic with a sensibility nurtured on classical and romantic music, producing a densely-harmonized piano style that was supremely lyrical and richly expressive. In the mid-40s, the bebop revolution, instigated by horn players Charlie Parker and Dizzy Gillespie, resulted in a generation of artists (led by Bud Powell) who would enter the ranks of the best jazz pianists with an approach that treated the instrument like a trumpet or saxophone, picking out syncopated right-hand melodies with horn-style phrasing. Hands down one of the best jazz pianists in history, Tatum was a blind genius who arguably created the most densely polyphonic and sophisticated pre-bebop piano style of all, fusing stride with swing. From ragtime piano came the more sophisticated and virtuosic “stride” style of James P Johnson and Willie “The Lion” Smith – with its locomotive, two-step, left-hand accompaniment – in the 20s and 30s, which in turn led to Fats Waller and ultimately culminated with Art Tatum.

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